Brave New World

Wednesday, 10 December 2014

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Mould Design Three and Chosen Design

Design three is my chosen design. The design focuses on the concept of yin yang across the cheekbone and the supraorbital ridge. To create this use;

- Prosaide

- Prosaide remover

- Dermashield

- Illamasqua Matte Primer

- Kryolan Ultra Foundation

- Kryolan Dermacolour Camoflague Concealer

- Moulds

- Vichy Setting Powder

- Acetone

- Alcohol

- Student colour palette

Cleanse, tone and moisturise the skin.

Apply Dermashield to protect the skin from the products.

Use Illamasqua matte primer all over the face.

Apply prosaide to the face in order to stick the mould to the face. Make sure the client has their eyes closed at all times.

Attach the mould by sticking the edges to a card, apply the centre of the mould onto the prosaide.

With acetone and a baby bud gently blend out the edge of the mould. The card will remove at this point.

Blend the edges thoroughly so that it is invisible.

Using foundation and the student colour palette try and get the same skin tone as your client. The student palette is activated by alcohol so it is important that your client closes there eyes at all times.

Powder to set.

To remove the mould use a baby bud and prosaide remover to blend away the mould.

Mould Design Two

Design two takes four moulds and places them over the cheekbone and the supraorbital ridge. The moulds are coloured to the skin tone. There will be no other colour on the face. The products needed for design two are as follows:

- Moulds

- Prosaide

- Prosaide Remover

- Dermashield

- Illamasqua Matte Primer

- Kryolan Ultra Foundation

- Kryolan Dermacolour Camoflague Concealer

- Vichy Setting Powder

- Student colour palette

- Alcohol

- Acetone

Cleanse, tone and moisturise the skin.

Apply Dermashield to protect the skin from the products.

Use Illamasqua matte primer all over the face.

Apply prosaide to the face in order to stick the mould to the face. Make sure the client has their eyes closed at all times.

Attach the mould by sticking the edges to a card, apply the centre of the mould onto the prosaide.

With acetone and a baby bud gently blend out the edge of the mould. The card will remove at this point.

Blend the edges thoroughly so that it is invisible.

Powder to set.

Mould Design One

Mould Design One focuses on the exaggeration of the cheek bones. The moulds will be coloured to the skin tone so that it looks like a natural part of the face. The following products are used to create this look:

- Dermashield

- Kryolan Ultra Foundation

- Kryolan Dermacolour Camoflague Concealer

- Illamasqua Matte Primer

- Prosaide

- Prosaide Remover

- Silicone Mould

- Vichy Setting Powder.

- Student colour palette

- Alcohol

- Acetone

Cleanse, tone and moisturise the skin.

Apply Dermashield to protect the skin from the products.

Use Illamasqua matte primer all over the face.

Apply prosaide to the face in order to stick the mould to the face. Make sure the client has their eyes closed at all times.

Attach the mould by sticking the edges to a card, apply the centre of the mould onto the prosaide.

With acetone and a baby bud gently blend out the edge of the mould. The card will remove at this point.

Blend the edges thoroughly so that it is invisible.

Powder to set.

Anthropological re-design three

Design three is an extension of design one with the use of a bald cap introduced. This will make it appear as if the branches are working there way up into the head. For this design the products used are:

- Dermashield

- Illamasqua Matte Primer

- Kryolan Ultra Foundation

- Kryolan Dermacolour Camoflague

- Pritt Stick

- Illamasqua Rich Liquid RF100

- Bald Cap

- Gel

- Illamasqua Translucent Powder

- Kryolan Supracolour Palette.

- Cotton Pad

- Latex

- Tuplast

Cleanse, tone and moisturise the skin.

Apply dermashield to the skin to protect from the latex and tuplast used.

Take the eyebrows out by smoothing the hairs down with glue. Make sure all of the hairs are covered and then powder to seal. Apply Illamasqua Rich Liquid and stipple over the brows. Apply the chosen skin colour foundation, blend and powder.

Apply Illamaqua Matte Primer over the face.

Create the base using Kryolan Ultra Foundation and conceal any imperfections using Kryolan Dermacolour Camoflague.

Powder to seal.

Apply the vines to the face by breaking up cotton pads. Use latex to stick this to the skin. Test the latex on the clients skin before use. Once the latex has dried, cover in tuplast.

Allow to dry and colour with foundation to match the skin tone.

Highlight with Supracolour so that the 3D effect will come off on camera.

To apply the bald cap:

Cape your client to protect their clothes.

- Brush the hair thoroughly to free of any knots.

- Make sure to not use any pins in the hair as this will be seen through the bald cap.

- Spray the hair thoroughly with water asking the model to close their eyes.

- Use a lot of gel covering all of the hair. Rub the gel through your hands to work through the hair. Thick hair will require a lot of gel.

- If any gel gets on the forehead, remove, as the spirit gum will not stick to this.

- Make sure the roots are well gelled and wet otherwise the cap wont stick.

- Half the hair down the centre.

- Wrap the hair around the head making sure it is smooth and bump free. Take the left section and wrap around to the right. Take the right section and wrap around to the left. Smooth down with more gel.

- Make sure the model is sat straight on and looking forward.

- Get your model to help with the application of the cap. Get the model to hold two finger up each side of the head to help with pulling the cap down straight.

- Do not just cut out the ears. Feel where they are with your own fingers underneath the cap. Make a small cut and place back down, Repeat until you have cut away enough to pull the ear through.

- Do not cut the cap in a straight line. It is easier to blend away with a wriggled cut line.

- Peel the front of the cap back making sure that there are no hairs on the forehead.

- Place spirit gum on the edge line of the folded back cap. Pull the cap back down and stick to the forehead.

- Using a wet sponge, roll around the recently glued cap to press in.

- Cut away the cap around the edges and back and repeat the gluing process by pulling the cap up, gluing the edge, sticking back down and pressing in with a wet sponge.

- Do not pull the material when cutting as you may over stretch it and cut too far. Also never cut the cap before putting on.

The mood board above shows my inspiration for the third design. The lines have inspired me to create branches to represent the boys branching out into manhood which is taken place during the scarification process. The bald cap was introduced so that the branches could be taken around the head and neck, furthering the scarification.

Anthropological re-design two

My second design for the revised shoot focuses on the print making used to create scarification in African cultures. The scars created remind me of print making to create multiple textures. The idea is to create a pattern around the lower half of the face using tuplast.

To create this design, the products used are:

- Dermashield

- Kryolan Ultra Foundation

- Dermacolour camoflague

- Illamasqua Matte Primer

- Pritt Stick

- Illamasqua Rich Liquid Foundation

- Illamasqua Translucent Powder

- Kryolan Supracolour

- Tuplast

Cleanse, tone and moisturise the skin.

Apply Dermashield to the skin to protect from the tuplast.

Apply Illamasqua Matte Primer

Take out the eyebrows by smoothing the hairs down with glue. Powder and then stipple over Illamasqua Rich Liquid Foundation in RF100. Then apply the chosen skin tone foundation base colour. Powder to seal.

Use Kryolan Ultra Foundation to create the base, using Kryolan Dermacolour Camoflague to conceal any imperfections.

Powder to seal.

Apply tuplast across the lower face in little dots. Make sure these are even on both sides of the face.

Allow to dry and then colour with Kryolan Supracolour.

Powder once more to seal in the colour.

The mood board above shows my inspiration for design two. The inspiration comes from the scarification mark making created in African cultures. The scarification can be played with to create interesting designs and patterns. The idea is about texture therefore the tuplast needs to be off the face and highlighted so it doesn't look flat on camera.

Anthrolopological re-design one

My first design for the revised shoot for body modification is based around the idea that scarification in African cultures is the branch into manhood. Therefore, I am using materials to create branches up the face to create a second skin. This will alter the profile of the face. The colours are neutral to make it seem that the branches are part of the face and belong there. The branches are created using cotton pads broken up to get the fibres inside. The fibres are then stuck on using latex and covered in tuplast to smooth the fibres over. Foundation is then added to the cotton to make it skin colour. The branches are then highlighted on one side to make sure they look 3D.

For this the materials you need are:

-Cotton pads

- Tuplast

- Latex

- Dermashield

- Kryolan Ultra Foundation

- Kryolan Dermacolour camoflague concealer

- Illamasqua matte primer

- Illamasqua Translucent Powder

- Kryolan Supracolour Palette.

- Pritt stick

Cleanse, tone and moisturise the skin.

Apply Dermashield to protect the skin from the latex and tuplast.

Apply the base, foundation, concealer if needed and then seal with translucent powder.

Take the eyebrows out using pritt stick. Brush the hairs upwards so that they stick down flat to the skin. Once the glue has dried you can cover the hairs with foundation to blend into the skin.

Take the cotton pads and pull apart to reveal the fibres inside. Roll the fibres into a thin sausage shape.

Apply latex to the skin, and place the cotton fibres over the top.

Dry with a cool hairdryer and continue.

Once you have created the branch shape, cover the fibres in tuplast to create a smooth effect.

Dry with a cool hairdryer.

Use the same foundation used to create the base over the tuplast cotton. Blend this in until it looks compatible with the natural skin tone.

Powder over the top of the foundation to seal.

Use Kryolan Supracolour in lightest red to highlight around the cotton. The aim here is to make the cotton look more 3D.

The mood board above shows the idea behind the design above. The scars look like the lines created by branches. Therefore I have based my idea on nature. I also thought that the scarification methods used lead the young boy into manhood, like the branches of a tree lead into ever changing life.